There are samples on the BandLab page to hear what each option sounds like, but I wanted to hear for myself how they all compared playing the same piece of music, and also where the strengths and weaknesses of each setting would lie. Tape: Warm saturation with analog dynamics – Jazz, Alternative, Indie, Rock Universal: Natural dynamic and tonal balancing – Rock, Pop, Electronic, Alternativeįire: Punchy lows and midrange clarity – Trap, Hip-Hop, Experimental, ReggaetonĬlarity: Pristine highs with light dynamic expansion – Acoustic, Classical, RnB, Singer-songwriter The four settings to choose from are clearly labelled with an explanation, as well as some suggested genres that work best with them: There is an ‘upload’ or a ‘drag and drop function, and the whole process with my particular internet speed, took around another minute to upload a 4-minute track and begin listening with the mastering options applied. I signed up to create an account via the homepage and was uploading my first track about a minute later. The first thing I found was the ease of use of the BandLab Mastering website. The software was made with world-class artists and engineers and designed with GRAMMY-winning multiplatinum collaborators such as Mandy Parnell, Mike Tucci, Maria Elisa Ayerbe, Justus West, and Will Quinnell. BandLab Mastering lets you upload music unlimited tracks of under 15 minutes in length, and then experiment with the four preset mastering settings it offers. What is BandLab Mastering?īandLab Mastering is a free online audio mastering service that all works via a web page or mobile app.
What’s not intriguing about that? So, I sat down for an afternoon of mastering and re-mastering fun, to see what BandLab Mastering has to offer. I’d heard about BandLab Mastering a while ago, and was very curious to experiment with such an interesting bit of kit – a free, web-based tool that will quickly master tracks through the use of algorithms created by industry experts.
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